Articles
Los Bravú: Contemporary Allegories
Data Blood III: return to the instinct
Zona Imaginara: Relational Residencies
Marta Garcia de Faria: all stories must be told
Film Review: Casa Grande (2014) by Fellipe Barbosa
Livie Fine Art: Sincerity as a strategic decision
Alejandro Brave: Becoming what one surrounds oneself with
Film Review: Embrace of the Serpent (2015) by Ciro Guerra
Call me 'K'
Film Review: No (2012) by Pablo Larraín
Film Review: 7 Boxes (2012) by Juan Carlos Maneglia
Elina Sjöwall in Insular Limbo
Film Review: Santa Sangre (1989) by Alejandro Jodorowsky
Manon Steyaert: Mediating Materials
Film Review: Chronicle of a Boy Alone (1965) by Leonardo Favio
Donjo León: Organic Treasures
Film Review: The Aura (2005) by Fabián Bielinsky
Silvia Rivas and the representation of the indefinable
Camila Lamarca: Beyond the Frame
Aubrey Higgin and The Skin He Lives In
Sergio Bosco and the beauty of Intimacy
Alice Morey: on the obsolescence of ownership
Davide Rosi Degli Esposti: on gallery collaboration
On Emily Mulenga: Now that we know the world is endings soon... what are you gonna wear?
Valentina Lopez Aldao, Multitud en Garzón
An interview with Maria Jalil
ArteBA 2020 on Artsy Highlights
Agustina Nuñez wins Argentina’s 2019 National National Endowment of the Arts
Sotheby's Institute of Art on Data_Blood 2.0
An Interview with Gastón Delau, director of FOLA
